/film/ - FILM

>>1831 (OP) 
>Clint Eastwood
Jew
>>1832
>>1835
OP was asking for white male protagonists, not cryptojews.

>>1841
fuck off back to /pol/, kid

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Thank y'all for recommend. I guess I should have a look through Alain Delon filmography, he surely plays this type of character often. The Western genre also has a lot of examples but I'm not too keen, since Western plots can be quite repetitive. Anyone has more suggestions, just throw in, thanks.

>>1843
How is stating the obvious, in this case, even remotely political or related to /pol/ in any way? 
The thread and its subject are more stupid than anything else and far more suited to /pol/ than my comment. It's not exactly revolutionary or controversial to state that most people in hollywood are jews.
>>1844
Are you actually thanking anons for recommending gatsby and batman? Your taste is shit.

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>>1843
OP asked for white leads, so a jew according to tons of genetic studies should not be counted.
What's wrong with that? is being on-topic "/pol/"? if so then /b/ would be more up your taste, bud.

>>1844
Do Dolph Lundgren movies count? you can hardly go whiter than him and writers rarely script a coherent backstory for his characters so he ends up being "mysterious" or unexplained by default. 
But because you didn't say "good" movies i will therefor recommend the Dolph.

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>>1845
>Are you actually thanking anons for recommending gatsby and batman?
I was being polite

>>1848
>writers rarely script a coherent backstory for his characters so he ends up being "mysterious" or unexplained
Kek this is right, happens a lot in B-movies. I still enjoy them for what they are, so thanks.
I also found out about the 1987 original version of Man on Fire, starring Scott Glenn as a former CIA agent who goes rogue when the girl he protects is kidnapped. A 1-star review on Letterboxd said: "This version has a painful and lengthy build-up, but when stuff is supposed to start happening, very little still happens and director Élie Chouraqui still thinks he's directing a fucking French New Wave film or something." Looks like fun.

>>1845
>>1848
fuck off back to /pol/, kid

>>1841
None of those people are Jewish. You should get checked out for schizophrenia.
>>1845
>It's not exactly revolutionary or controversial to state that most people in hollywood are jews.
>most people in hollywood are jews
>most people
Yes, it is. Jews being overrepresented in Hollywood doesn't mean that most people are Jews. Put down the crack pipe.

>>1888
>>1889
>JIDF in a noble obscure forum like this
At least contribute to the thread like they did

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>>1890
>muh JIDF
You're going to have to try harder than that.

>>1890
It's over cafe bros, only hipsters frequent these off-shoot boards now

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Delon kinos are so comfy

>>1893
>it's over
It's over, only cuckchan posts these """"off shoot""" boards now.

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>Travis Bickle's wasn't a Vietnam War veteran at all, and his behavior could indicate a man so disturbed, that he chose a war veteran look as a way to somehow connect to the post-war society

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This was awesome.
Mann, Friedkin and Hill have some cool dashing male antiheroes.

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>>2056
I considered Hill movies a lot but i didn't really consider The Driver as "cool", if anything he seems to be a barely functioning human who is very capable at driving but a massive sore thumb when meeting other people who are not drivers.
The Streetfighter is also great but the two main protags are a mountain crimean tatar and a trigueno (amerindian with strong caucasian features), so maybe OP would've not considered them, and in The Warriors it's more about the gang than Swan himself, and the gang is full of ghetto dwellers and african-americans pretending to be injuns. 
Would've rec'd Extreme Prejudice but i haven't seen it, it's supposedly one of Nolte's best. Hill really is an interesting subject to watch, his early 3 movies (4 if you count Alien) are some of the best pure action stuff in the 70's but he simply was ignored other than the pervasive word-of-mouth of avid cinema goers and the japanese market.

>>2057
What Streetfighter are you talking about? People with Caucasian features might be alright lol.

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>>2059
The Streetfighter from 1975, Hill's first movie as director. Starring good ol' Charly Bronson and James Coburn, the former acting as a mysterious, wandering stone-fisted brawler and the latter as a talkative pimp-like promoter.
It's in my opinion as good as The Driver but different due to aesthetics of the era and protagonist dynamic, Driver had the guy and the investigator going head to head to see who would win the bet of holding the money while Streetfighter has both being on the same team dealing with their careers and personal lives.
Also known as Hard Times, you might've seen it already but it's still worthwhile to mention due to their script being very similar but ending with considerably different movies, does speak high of Hill's abilities that both came out pretty good even when he considers them to be part of his not-good section from his career. A strange fellow, he rarely thinks his best movies are good and gets frustrated when the trashy ones get trashed.

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>>2060
Ah I know about this one as Hard Times, haven't watched it though. Thanks for reviewing it here.
A modern worthy mention is Olivier Marchal, a French director who's made a few gritty crime movies and TV show (Braquo) which I enjoy a lot. They remind me of 1970's cop movies with dark aesthetics, characters crossing the lines and overall cynicism. They're also fucking based and not (yet) succumb to woke politics (Carbone even has some Jew jokes, if you want to look for that). I'm really look forward to whatever he will put out.

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>>2061
>Les Lyonnais
I've been throwing that one in my backlog for, not gonna lie, almost 10 years now along with Mesrine.
It has a donmeh as a protagonist (Karyo) but i like his acting from the 90's and i still think he's one of the most underused actors ever in a James Bond movie, a series famously known for either not using their actors at their full capacity or by trying to squeeze blood out of stones with some others.
Speaking of Mesrine, the guy is not that mysterious at all but might fit into the cool white dude scheme with his 4-hour movie from 2008, supposedly pretty good but also on my the backburner for who knows how long, some anon recommended it to me one of the first times i posted in /tv/ around the movie's original run.

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>>2062
Mesrine has been in my backlog for years too (damn, time flies). Speaking of French gangster movies, Cedric Jimenez made La French about the French heroin connection which is pretty cool. His new film BAC Nord is about cops in melting pot Marseille dealing with criminals who happen to be PoC acting like apes.
I should change the thread into "cool white male protagonist" instead lol, macho men in mature genre movies.

>>1892
>>1893
Cuckchan spotted.

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>>2200
>still has no argument months later

>>2201
>everybody who disagrees with me is the same person
>bumps thread even when discussion is off-topic
>another halfchan filename
Cuckchan spotted.

>>2206
>rambling about jews/JIDF isn't off topic and cuckchan behavior
>unix timestamps are cuckchan
Your (sub-80 IQ) brain on cuckchan /pol/.

>>1888
Fuck off back to your hasbara fellowship kike lol. You will never be White

>>2234
Your influence is peaking jew. Your people will not survive in the long term :) the great gathering of jews has already begun

and nobody mentioned port of shadows... what a joke

>>2214
I decided to watch The Blood of Heroes because of your post. Sadly, it was pretty shit. Are the other ones any better?

>>1831 (OP) 
I've yet to get into noir detective movies.  The Big Combo is supposedly the entry-level selection.  Being from the '50s you reckon the protags would be mostly white guys, and that given the genre they'd be "mysterious" in a more or less Bondian sort of way.

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>>3240
Right, I don't recall details about the central character in The Big Combo (though it's certainly worth watching) but This Gun for Hire is said to be an inspiration for Le samurai and probably other hitman movies for that matter

Imagine if cinema was invented today o_0

>>3240
>>3241
Thanks for the recs, guys. I actually have seen both. Film noir is not really my type because they tend to be too "by the book", and the one that wins/dominates is actually the female fatale.

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does del toro count as white ? he's part spanish i think but he's kino in most of his roles

>>1888
>>1889
>>1892
fucking kike kys why do you guys always ruin everything
die in a hole like the rat you are

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>>3382
>he's part spanish i think 
Might as well count half latin america in that case. He's a pretty decent actor but his roles are very usually immersed in stories which are retarded given the known context, particularly Sicario which is dumb as rocks, a canadian director trying to tell a story about seasoned american operatives vs. paramilitary cartel members roaming a compact city unknown to the former party in which everything unfolds nothing like logic and history would suppose.
Traffic is also retarded, Del Toro is usually one of the high points in the stuff he appears tho, no doubt about it.

>>3382
>anyone who disagrees with my retardation must be a kike

>>3384
>my retardation
lmao
nobody considers kikes to be white wake up from your foreskin blood inebriation moshe

>>3387
Clear case of the pot calling the kettle a nigger considering kikes have elevated rates of mental illness.

This thread is a firm example of how /pol/ ruins everything it touches.