/loomis/ - loomis

>>783
>What thread?
This thread.

ok, I have great idea.
The monthly theme element is officially dropped for just drawing anon.cafe-fighters instrad.
We can continue this thread with a focus on 8ch*n.m/lmis/.
I initially didn't post here, because only one other anon participated (I appreciated that), which would lead to a pathetic army of two fighters or so.
I couldn't bring such shame upon the board, by displaying a small army.

But now that I think about it, we can just create super OP characters and multiple of them. I know I will. (I'm doing this to have this thrad in a complete state.)

I'll be posting some Overpowered characters, so we can crush their opposition.

I would love to create a giant piece that incorporates all the characters posted here, including the ones others drew.

..ok let's get to work.

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This is F.E.D. The Destroyer.
He absords his enemies light and life force.
(Highly effective against glowniggers.)
Negros are immune to his attacks, as long as they don't glow, don't smile and wear shades.

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CD - Coomer Dissolver
type: Bio-weapon
I post the same image over on 8ch*n.moe.
But little do these horny animal-brained sinners know that her slimy voluptious bodies purpose is not only to attract coomers, but it's also the very thing that will seal their demise.
The body heat of the target starts to heaten up CD and prepares her body for the attack.
Once the targets lusciously hot juices are shot inside her body, enough energy will be supplied to trigger the endothermic chemical chain reaction that turns the gooey slime into highly potent acid.
The penis is firstly dissolved, which is then swiftly followed by the rest of the body while the dopamine overloaded brain is incapable of distinguishing pain from pleasure.
When the orgasm fades, it's already too late and the target dies a slow agonizing death.
During this process the targets nutrients are absorbed and used to nurture CD.
Only a skeleton remains. 

Once the body is fully dissolved, CD will under normal circumstances turn back into her alluring state. 

Notes:
CD is ineffective, if not outright dangerous to use in places with constant temperatures above 25°C.

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I just asked pic related wether he would assist us in our fight against 8ch*n.moe, and he agreed to assist us.


Brief:
PROJECT C.H.A.D.

This entity is not what we would consider a "human" under normal circumstances.
This grotesque creatue is the result of century long gene experiments coupled with mechanical augmentation.
When this specimen was created, the scientists didn't realize what they have done.
He was too powerful. He destroyed the whole research facility and turn around than 70% of the area 51 into a burning hell.
The scientists, army corps, government officials, all were killed within an instant.
The last thing they saw were his bright shining cyan-blue eyes. Piercing the very fabric of the targets will to live.

He is now on our side.

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>>730
Something similar to that last pic

Anyone got a tutorial on the basics of drawing a human body?
>inb4 meme tutorial

>>169
Ahh, Claymore... This manga was so bizzare and cool.

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>>70 (OP) 

>>230
Sounds like you need some constructive anatomy
Check out how Vilppu or Hampton do it.

>>231
>constructive anatomy
How does it work?

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>>236
As far as I understand it, you learn processes to construct bodies. One way to do so is to simplify the anatomy into simple 3D forms: the head as a box for instance, cylinders for limbs, etc. It is important that these are 3D forms because then you can draw/imagine them from all angles, and thus draw a simplified body from any pose. You can place main landmarks of the human body (where the bones protrudes for instance, the famous vaganiàs bones, the navel, the sternum, etc.) onto those simplified shapes by knowing some basic measurements. You can approach muscles in the same manner, by simplifying them and knowing where they go.

Last year I nominated LooMiss for /monster/'s MFW, but I don't know what would be a good theme for her to have.  Any ideas?
https://smuglo.li/monster/res/29.html#6008

>>238
My first thought was Take on Me because of the visuals and the story especially the blur between real life and drawings. https://www.invidio.us/watch?v=djV11Xbc914

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>>48
Another sketch, please give critique

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>>57
I like it, but there's a couple of issues I see and one oddity.1. the rear view of the ass has the hips coming in too narrow, widen them out a bit. the gap is fine.2. the head's front aspect is to round, make it more oval. the side aspect is fine.3. While unimportant, it seems a bit odd to have the hands turned entirely out like that. I like the skeletal structure of the hand, but it's a bit off if you're intending to mimic the human hand closely.

>>57
>vent on lower back
Wouldn't you get blasted with hot air any time you're snuggling up or engaging in any other fun activities from behind?

>>60
Fuck anon, you're right. Maybe the vent would be placed on her upper back in the next iteration.

>>61
What about on the sides of her hips/thighs? Then she could keep you warm with her heat on those cold January walks through the snow.

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>>19
>>20
You drew the closer eye with the skin sitting properly over spherical shape of the eye but then the other is squarish? If you look at the reference, the eyelids get closer together towards the nose. It's also slightly higher than the closer one. Good practice though.

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This time is exercise 2-C, involving Free Hand Drawing.
The main trick on this is to not focus much on the quality of what you're doing but in bringing it to paper as fast as possible. The types of exercises in this one were three.
1st: Sketch the image in one minute (Gesture Drawing)
2nd: Sketch the image in two minutes without lifting the pen from the paper (Connected-Line Drawing)
3rd: Sketch an image for 5 minutes without ever looking what you're drawing. (Five-Minute Burn)
Since these exercises were very short and the results seem lackluster, I did more than what the book asks for, instead of 6 gesture drawings I did 12, 8 connected-line drawings instead of 3, and up to six five-minute burns instead of 1.
The first two ended up giving out something I could accept, the last exercise is the one that I can't seem to manage to do. Without orientation everything ends up in a position where it shouldn't be, and most of the drawing feels disconnected. I attempted to start from the right to the left instead of the left to the right, and while it did bring some very minor improvements, everything still is disconnected.

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>>22
Just to give an example I'll post my desk and a 5min sketch for comparison. Everything is out of place

>>22
>>23
It’s true that gesture drawings are useful for putting an idea or sketch onto paper quickly. Croquis drawing is an example of that with live models.
But I think the point of the exercises here is to feel/notice your reaction to the shapes you see and how that guides your hand movements. He says several times that you aren’t to care how it turns out.

>without ever looking what you're drawing
He does say to continuously draw and not to worry about accuracy or composition but I don’t think you have to "draw blind" by not ever looking at the drawing if that’s what you are doing.

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>>24
>He does say to continuously draw and not to worry about accuracy or composition but I don’t think you have to "draw blind" by not ever looking at the drawing if that’s what you are doing.
I think I did go much to the foot of the letter. It says draw what's in front of you without stopping, not without looking after all.
Boy I'm dumb