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[JW18 ~  12/01/2019]
A thread for bong media, both for bongs and for fags from elsewhere who want to see something non-pozed so expect the thread to be weighted towards older shows and films.

Starting with an absolute classic from the last decade before British culture started to disappear in the face of American cultural dominance. Also Michael Caine. magnet:?xt=urn:btih:E40A5E9641 8B1F77E22FF71A2DAC E9F31BA7FCB9 remove the spaces but I can't speak as to the quality of the torrent, if someone knows where to hunt for better ones with active seeders I'm all ears
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>>636
Opposite here. Bug sounds kind of childish which is odd as usually the bong/commonwealth english version is the less formal name.
>>635
I'm speaking of culture which is relatively a whole other bag of worms not language and while British English is hardly better you're right that the American English language has infected every language it's encountered, for example in Russia it's extremely common to use a transliteration of an English word rather than the a term that exists for it.
>>627
The old "TV plays" (usually from BBC) are fertile creative ground with a good stable of directors, sometimes reaching the quality level of a standalone film.
[End of Dump JW18 ~  02/25/2020]
Quite a thinly-veiled /britfeel/ thread
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>>627
Here's a better version of Nuts in May

https://www.youtube.com/watch?v=R0-dx09puVk
https://inv.riverside.rocks/watch?v=R0-dx09puVk

After watching you might enjoy this discussion of the film with Neema Parvini (aka Academic Agent on youtube) and Frodi Mitjord. Mitjord is surprised this film does not have a larger cult following due to its quotability. Parvini outlines three different way to read the events of the film.

https://anonfiles.com/X8S3X2X3x6/

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A thread for the cheesefest and sleazefest. Embrace the schlockness.
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Amuck (1972) / Amer (2009)
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>>1766
>My experience from CG people is that I don't really understand their sense of humor

Do you mean humor on the forums?  What specifically confuses you? The main users have thousands of posts. I don't find their smug interpersonal banter very funny. But torrent descriptions for bad movies can be entertaining.
>>1766
I'm curious why you generalize CG that much, are you looking at the Boob thread?... I know you are! Jokes aside, I understand what you mean but I'm sure that if you look into serious films you'll find an informative discourse on CG. Maybe you're stuck on the sludge-fest (which in my opinion should be celebrated, even though I do agree "B-film audience" can even be used as a derogative, there's no place like CG. Same goes for KG, and both of their forums should never be forgotten, specially posts dating before 2010...)

>>2404
I haven't seen that one, from the trailer it looks very interesting. I watched Let the Corpses Tan and I hate to say that I hated it. It started off promising, with the colorful setting (reminded me of Le Mepris) but the final act and the abrupt editing with the ticking clock really took me out of the film, and I was looking forward to it.
Replies: >>2411
>>2410
I saw Amer soon after it was released so my memory is fuzzy. It's divided into discrete segments -- basically individual short films tied together by a larger premise. I don't remember the ending as anything amazing, but the film is more about exploring suspenseful situations while reviving giallo style.
Replies: >>2412
>>2411
I definitely got that vibe from the trailer, the one I saw was strangely  very low res and it showed ambiguous scenes shot in red and black so I can't really say anything until I properly watch it

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Almost everything has a slant, a bias, a nauseating moral tale behind that makes the act of watching unbearable once you're old and receptive. Terrible characters with terrible motivations, fake love stories, manichean villains, clumsy writing… the dreaded sense of being preached for 2 hours. I would go to the church or read the news if I wanted that.

To me the only good films are those where all pretense is abandoned like a whore on the side of the road; films where the director embarks it almost like a scientific experiment, deprived of tropes, where the characters have their own motivation and not those of the director/writer/politics of the time. Abstraction, simplification; expression limited to stylistic & narrative choices. Nonexistent psychological studies; characters should be like microbes under the microscope of the filmmaker -absolute objectivity in the writing aspect.

Something like Un Flic by Jean Pierre Melville is the perfect example of a film deprived of all the ills that plague the medium. Only films like these are the ones I can watch without feeling repulsive afterwards.
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Replies: >>2399 + 3 earlier
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>>1773
I'm going to say that there isn't despite hating them because it is sure to upset you.
>>1710 (OP) 
It seems you have problems with moralization? At least partially. 

I think part of this is, the "will of power" of artists to change reality according to their beliefs and values. Even popular film reviewers seem to want to make films "more moral". As in; "I want to create a society that is more beneficial to what I perceive my best interests to be."
See:
Why Modern Movies Suck - They Teach Us Awful Lessons
The Critical Drinker 
https://yewtu.be/watch?v=Dnuqp4_K7ik
10:49 

Another rather similar thought is; what I think is, the honest belief amongst people that others thinking for themselves is dangerous to them or what they value in some way, and must be destroyed. 

Also: https://encyclopediadramatica.online/Moralfag
Replies: >>2400 >>2401
>>2399
*will to power
>>2399
>films "more moral". As in; "I want to create a society that is more beneficial to what I perceive my best interests to be."
Ironically that's the artist's personal reflection on his work, many like to put their values into their work, others prefer to showcase things as is ("realism") but problem is how to do such things. 
It's the case of doctrines around the "show don't tell" and "character/context consistency" a director and the writer have to do, in modern mainstream films for cattle these aspects are done poorly with many "lessons" being done telling but not showing but when they do show it the context the film was building itself around bends or stop existing to cater to said consequential actions that don't seem like consequences but inventions made out of thin air and annexed.

Capeshit, to use a popular example, is chuck filled with this kind of antics but the nigger cattle ignores it for the sake of the romanticized ending, an example would be Spiderman 2, considered a classic in the genre but with a frankly horrible ending not even kids with consciousness could eat back in the day. The other popular examples of this do the other way, they "subvert" or create an anti-thesis of said effect but end up being as horrible because they do not build anything to create the necessary context to show it, they merely do the same but in the ending they
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So I'm a big fan of the genre, trying to gather the best examples.

Indiana Jones trilogy as well as Young Indiana Jones chronicles – goes without saying these are the best.

The Mummy 1, 2 – probably the next best thing. Just all around well made wholesome entertainment.

Armor of God 2 – so Jackie Chan wanted to make his version of Indiana Jones and I have to say he succeeded.  It's great both as a Jackie film and a treasure seeking film. The first Armor of God is also alright but it's always been a bit too dry and boring for me, especially in comparison to the sequel.

Lara Croft: Tomb Raider – I was actually surprised how decent this was for what it is. Surprisingly well-made. Peak Jolie too. The sequel is kinda crap and what you'd actually expect from something like this, and the NuBoot should be avoided like plague.

The Adventures of Tintin – despite being obnoxious in-your-face 3D, it eventually grows on you and definitely scratches that globe-trotting treasure-hunting itch real good. I wish this was made earlier when Spilerberg was still a real director.

National treasure – it's kinda silly and derivative, being a Yidsney movie for younger audiences, but the first film just about passes as enjoyable and well enough made which was still a thing in 2004.
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Replies: >>2322 + 1 earlier
>>2138
Naturally. It was made to capitalize on the Indy hype. The original novel is 100% nigger-based.
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One of the primary inspirations for Raiders of the Lost Ark was Otto Rahn, a folklorist author turned SS officer who believed he could find the Holy Grail

https://web.archive.org/web/20110516164742/http://www.forteantimes.com/features/articles/5407/raiders_of_the_lost_grail.html

Richard Stanley made a documentary on Otto Rahn entitled The Secret Glory

https://inv.riverside.rocks/watch?v=r0YOeuxMOww
https://www.youtube.com/watch?v=r0YOeuxMOww
Replies: >>2278
>>2273
TL;DR on this?
Replies: >>2323
>>1918 (OP) 
>wholesome



Agreed, it's very wholesome and soulful, poggers!
>>2278
Literature should be mandatory for film buffs.

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Hello anons, what were your top flicks of the year 2020?
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Replies: >>2125 + 1 earlier
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>>1847
It's a video essay about anorexia that occasionally experiments with the form in interesting ways. I've put it on my list of top flicks of 2020 so yeah, I've seen it.

I've had White Noise on my 2019 list. La vie nue seems to be online but it's a short video art piece, I really liked the idea of using thermal cameras for the photos but I don't know if it was edited all that well.
Replies: >>2125
>>1834 (OP) 
>>1858
I'd like to request that you enumerate your graphics with titles. The aesthetics are stunning and I don't want to bug you with 7+ separate questions about where they come from
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>>2125
Here are some of them
Replies: >>2182
>>2130
much appreciated

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A thread to discuss and share books about films. 

Pic related is "The Film Book" by DK Publishing. I love picture books from DK when I was small, and now being an adult, I bought a physical copy of this. It consists of general knowledge about the history of cinema, how a film is made, and the large part of the book is about genres, cinema from different countries, top 100 directors and top 100 films.
The book is not too in-depth and doesn't feature anything too obscure. It works well as a beginner guide for film enthusiasts. A lot of non-Hollywood films and directors are featured so it's a plus. The book is contained in a tin box and presented really nicely (like all DK products).
Anyway, I saw this laughable 1-star rating on Goodreads:
"...no Tarantino in the list of directors?! REALLY!?! And no Pulp Fiction in the list of best movies?! REALLY!?!"
Kek.

Hope this thread will help us find more reading materials and more films/directors to watch.
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Any good books about film making? I've already read pic related, looking for something similar. Preferably by people outside of Hollywood.
I've been reading introduction to a true history of cinema and television (caboose english version) while trying to watch godard chronologically. also reading harocki's godard book, speaking about godard. i'm at la chinoise now. any recs on other good books on godard?
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http://libgen.rs/book/index.php?md5=FF28BE840770EAE1C9355D2148C77799
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Does somebody know of a decent uploading service? i used AnonFiles but they pulled a good one on me and deleted 10+gb despite being under a user due to i suppose lack of downloads, so there goes using it as an official library.
I want to give Mega a try due to not taking down anything from me, or that anon who posted that one controversial german girl robot movie, but i think they check your IP for amount of accounts linked there but i could be wrong. 
I have a hand grenade of a couple hundred books ranging some of the technical sides of movies (filmmaking) and i know if i don't do it soon i won't until much later.

>>2151
>any recs
You could try staying sane and not watching him but there's a widely circulated PDF called The Films of Jean-Luc Godard: Seeing the Invisible. 
Can't say if it is good but if there's something about Godard fans is that they know very well how to spin his work into seeming mostly interesting rather than okayish.
Replies: >>2174
>>2171
thanks for the rec. 
not sure if mega tracks IP, i always use it for uploading stuff for people. I must have tens of accounts by now

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Films that keep you on the edge of your seats. Be it action, crime, spy, political, psychological... all thrills are welcome.
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>>1794
>Aaand if you want vulgar, homosexual and sometimes bizarre visages look no further to Johnny To's hong kong gossip rumors, that's why i knew of him in the beginning, he's had very nasty and hilarious stories (that i guess are most fake) that fortunately are usually shadowed by his films. When i researched the asian action scene in the beginning there was always jokes about him, old IMDB forums had some of them.
I haven't heard of any nasty stories involving Johnnie To lol. Maybe the Asians are more silent when it comes to that stuff.
>still haven't tackled him as Tsui Hark and Chang Cheh have proven to be long experiences for me.
I'm not interested martial arts movies tbh; also you not being an Asian (I assume) will have harder time getting into that genre from the Chinese. They tend to use a lot of classic literature references and the dialogue could become weird/lost in translation into English. On the other hand, Hong Kong action movies (from directors like John Woo, Johnnie To, Andrew Lau etc.) are more accessible to the western audience.
>it's honestly quite cheesy as to appeal to campy asian mainstream sensibilities but still if one can pass the melodramatic nature of it at times (slow-motion death scenes with melancholic music-tier).
Haha I totally understand this, the melodrama is indeed popular in 
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>>1798
>will have harder time getting into that genre from the Chinese
It was a steep curve and i bet i haven't and will not get most of the classical references, but after seeing tons of movies i can suspect what they say, the writing in kung fu stuff is VERY formulaic and the references made explicit (Monkey King, The Water Margins, Confucius singing his teachings, Taoist esoterics). It's trash and you would be in the clean for ignoring it, but it's crack for me and it's either that or porn lol. My difficulty with them is that they are so many, but in terms of Cheh's i know the reason, he was fronting for his aides and associates.
English subtitles don't help either, they are worse than the dubbing sometimes which is no small feat, still it's mostly cheap entertainment for the stunts and the classical chinese pre-surgery beauties, no wonder almost no actress made more than 10 movies, all the dudes married them and threw them right into the kitchen, the levels of mainlander rural girl trafficking must've been insane back then.

>he's kinda wooden and has this wide-eyed expression
Glad it's not only me, pretty spot-on with the wide-eyed lol, they seem to worship the fucker and i recall seeing extras working better than him. I guess it's because he did soap operas for the mainland and they respect him for that, don't wanna so
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>>1801
>it's crack for me and it's either that or porn
That's a pretty weird thing to get high on/jack off to, lol.
>Bet he's a To Boy
Nope, he isn't. Louis Koo is a To boy (frequent collaborator), you can watch him in Drug War and the Election movies, I like his acting.
Andy Lau is famous because he acted a lot in television (those wuxia series) and is also a singer. Asian celebrities who are popular for television work and singing tend to be not great actors, lol. 
>never deleted it (no homo)
That's very homo bro

And yeah, I want more non-Asian stuff too. Kinda bored of rice at this time.

Gibraltar (2013) is a nice thriller about a man working as an informant for the French border patrol. Its neo-noir quality is shown in the shadowy cinematography and the dark world of moral compromise and treachery. A straight up story, no annoying reference of unrelated politics or stupid casting (like Hollywood often insert to their neo-noir - gotta make some woke social commentary huh)
Please excuse the watermark.
Aside from it being cold war propaganda, Panic in Year Zero is a very entertaining thriller.
>>1689
The first time I watched it I wasn't too impressed. But after a second viewing I enjoyed it a lot more. I think if I'd of known the first time that the plot was based off a real unsolved case I would of felt better about the pacing.

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I recreate this thread from the old site. Post directors that you dislike. There are ones whose works are considered "great" by some but don't appeal to you for some reason or you think are overrated; there are also directors who are inept at their job and make awful films. Controversial opinions are welcome.
I think these two are overrated. Lars von Tryhard is an edgy kike and so are his movies. Taratino is underwhelming to me, his films are riddled with pointless, shitty humor (or the films are the pointless, humor themselves), typical of underwhelming "American independent cinema".
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Replies: >>1982 + 1 earlier
>>1771 (OP) 
I never like Lars Vor Trier. Even as a dumb teenager I thought his films were pretentious as fuck with little to no meaningful substance.
Replies: >>1985
>>1982
I like Europa and I thought The Element of Crime was at least visually impressive, but yeah everything else is fucking terrible
Don't hate him but Clint Eastwood.  Lot of self-insertion or playing himself in movies he directs, blatant diet conservatism that feel like a necessity on his part to stuff into the film to personally counter-balance Hollywood's leftism (though that could just be me), the facade he carries of being a rural tough guy who fought in Korea when he's really a well-mannered guy who grew up in suburbia and was a lifeguard during that war.  Films he directed weren't "captivating" or original, and were made to tell a political moral or something of his own interest.
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>>1986
I actually like him for that. His movies, albeit political, are subtler than the "left-wing" counterparts for sure.
Replies: >>1990
>>1987
Yes, they aren't horrible and function better than anything Hollywood puts out but it feels like virtue signaling and playing the role of the token conservative.  A good portion of his directorials are self-serving personal projects for the sake of himself wanting to make a film for fun and not for "high art", and not that there's anything loathsome or narcissistic with having the money to make your own movies and star in them because you can, but it doesn't make for a good or relevant film so-to-say.

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[JW14 ~ 01/22/2020]
I have recently watched a couple Nollywood films, and was curious what is /film/'s take on Nollywood?

Personally, I love how enthusiastic they seem to be about making movies. I believe in a decade or two, they could begin going through a sort of "new wave", and start producing some real quality films.
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African cinema: ten of the best
https://www.theguardian.com/film/filmblog/2012/sep/03/10-best-african-films
https://archive.is/pRS9M
An older list from Mark Cousins with some common titles and some others I haven't seen. This bisexual comment regarding Cairo Station was surprising to me. I don't remember that being relevant to the film at all, but perhaps there's a subtext that I completely missed.
>If Alfred Hitchcock had been Egyptian and bisexual, and had himself played Norman Bates, Psycho might have been something like this.
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This documentary is credited to Ethiopia but it's not entirely homegrown -- the director is half-Mexican, left Ethiopia at age ten, studied at UCLA, lives in Brooklyn. Still I like the meditative mood of this trailer so (as someone who never watches anything new) I'll probably check it out.

https://yewtu.be/watch?v=NltBA1RbJUc

>Ethiopian legend has it that khat, a stimulant leaf, was found by Sufi Imams in search of eternity. Inspired by this myth, Faya Dayi is a spiritual journey into the highlands of Harar immersed in the rituals of khat, a leaf that Sufi Muslims chewed for religious meditations – and Ethiopia’s most lucrative cash crop today
>>590
>Wakaliwood and Nollywood are similar on the surface but seeing two of their movies I can say former makes genuinely good action movies, better than anything America has made
Is that ironic or has some Ugandan out there actually made a great action movie?
Replies: >>1904
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>>1903
I remember watching one of the meme films, Bad Black, and jokes aside i was surprised how "decent" the plot was and it was alarmingly well executed too, budget and set conditions considered.
Some overused action genre cliches are there along with the gaudy cheap CGI but the director still managed to pull interesting dynamics regarding the main protagonist's emotional progression from slum orphan to ruthless bad bitch (hence the film's title), not to mention a harsh critique on Africa in general with tongue in cheek jokes and plot points (kids used as sex toys, a hammer being called an Ugandan Key).
Although somewhat of a weak ending part due to it being so prolonged/dragged out i suppose, great is not really what i would call this movie but there's obvious amounts of efforts and creativity (stuntmanship, prop item construction) that wager a bit of genuine praise out of the usual pity brownie points some african movies usually get. Hong Kong this ain't but it is more entertaining than a contemporary action movie without the expensive CGI tricks.
>>591
Some of the best movie producers in India are from Bengal, the Hindu part of Greater Bengal. I see Bangladesh film industry having a great future ahead.

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I'm tired of the northern hemisphere . I feel like the southern hemisphere is just a lot more interesting
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What have you already seen and why do you think it's more interesting?
Replies: >>1597 >>1909
>>1596
Canada is the most boring place on earth. Naturally, the further you get from it, the stranger and more interesting things become. You could say Canada is the centre of the world, the top of the hierarchy, and as you move away from the centre things become less like it, less normal. The United States, Greenland, Russia, Japan, all these are close enough to be similar but just far away enough to be interesting (the USA least so).
The southern hemisphere in general skirts the vast Canadian Sphere of Influence. It is peopled by strange and fearsome creatures, those who live in the no man's land between order and the chaos of outer blackness, the inhospitable antarctic cold which doubles as an inverted, ironic parody of the Canadian centre. This in-between zone is where meaning meets matter, authority meets power, reason meets absurdity. It is a place of dreams, of danger, of potential. It is the perfect place for a film.
Replies: >>1598
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>>1597
>Canada is the centre of the world, the top of the hierarchy
>Canadian Sphere of Influence
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To get a flavor of the postwar South Pacific I recommend this island-hopping ethnographic travelogue filmed in Cinerama and (partially) narrated by Orson Welles

https://www.youtube.com/watch?v=OeyeChzsVUQ
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>>1596
>La hora de los hornos

I just watched this. It was an hour too long but there's plenty of interesting content if you can power through the slower parts. After establishing the present (1968) situation in Argentina, the documentary chronicles the rise and fall of Juan Perón and the ensuing years of struggle by leftist activists to re-establish their brand of Peronism. The activists tried street protests, labor strikes, even winning elections, but each time their resistance efforts were thwarted by the police or military. The documentary reflects upon these tactical failures and searches for a more effective path. While I'm not entirely sympathetic to the activists' motivations, their frustration with an intransigent political system that answers their grievances with violence is more and more relatable.

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